Bear with me on this one; I wrote it almost as soon as I finished it last month. I usually wait until I can put it on this website, but I was so into thinking about this book that I felt like I had to write a review immediately. :P
I first tried to read this book a few years ago, I think while I was in college, and as most people find is the case I thought it was really boring and wordy. I didn’t get past the fifth page. I don’t usually give up on books but this one wasn’t very entertaining at all. With that in mind, I started reading this again at the end of February. It was mostly because it’s the March selection for the Quilting Bee book club, but also because Richard has said nothing but good things about it, and as we are now so in touch with one another that we like much of the same reading material, I thought I’d really like it this time around. Boy, was I right!
Not only did I not find the beginning boring, but I actually thought it contained some of the most interesting ideas of the whole book. There are several main themes in this book including, but certainly not limited to, spirituality and faith, religion, anthromorphology (projecting cute, cuddly human traits onto highly dangerous animals and expecting them to live up to those expectations), survival, truth, and storytelling. The beginning part surfs smoothly through these themes, especially religion and spirituality, and if the reader has found herself accustomed to the writing style, she’s gasping for more. Just in time comes part two, the bulk of the book, which describes Pi’s time at sea trapped in a lifeboat with a tiger, zebra, hyena, and orangutan.
It was exciting and interesting, albeit a bit too technical (I had to look up some of the things he was talking about just to get a visual image - that is to say, the description in some parts wasn’t very well done but in others was phenomenal). Who knew that a book about life stranded at sea could be so compelling? I made a post on my blog a few days ago about how I read straight through this book in one day (leap day, to be exact) because I found it so fascinating, and someone commented wondering why everyone was so “enamoured” with it, as they found it to be incredibly dull and boring. I wouldn’t say I am enamoured with it (it still isn’t a “favorite book” or even a “top 10″), but I can certainly see why others would fall in love. However, I can also see why some would find it uninteresting and unentertaining. It just seems to be one of those books that one can only get “into” when in a certain mind frame, after having read several of a certain type of book (thoughtful/philosophical, and the like), when the day’s not sunny, when one doesn’t find easy seasickness based on description, etc. In short, there are a lot of reasons this book can be dislikable (just like any other book, mind you), and I’m accepting of that. However, I personally thought it was absolutely invigorating.
The themes I found most interesting were anthromorphology and truth. I found them much more important than the book - or its fans - seemed to illustrate. In fact, I haven’t seen “anthromorphology” as an important theme anywhere, not in any reviews or other statements about the book. Mostly people seem to talk about survival and faith - also two very big themes in the book, but certainly not the only ones. My point is illustrated by the end of the second part. Almost immediately after I finished the book, Richard asked me if I also thought the ending (of part two) was anticlimactic. I can see where he’s coming from. In fact, even Pi saw where he was coming from. He said he wished the tiger would have turned around and stood there while Pi gave a long speech about how much their lives touched each other - a proper good-bye, as it were. Instead, the animal just went into the Mexican forest without a second thought. He didn’t even glance back. Richard and Pi both were disappointed in the tiger’s behavior - but why? I think it’s because they’d projected those human emotions onto the animal so much throughout the book that they expectd it to act as a human would. No, the tiger didn’t rip Pi to shreds, but I believe that was due to basic animal training. Take Pavlov’s dogs, their drooling, the meat, the punishment. The tiger’s training involved seasickness and a mind-numbing whistle in order to administer territorial lines. The tiger didn’t stay on his side of the boat because he liked Pi and didn’t want to eat him. I take this as an important part of the book because it determines whether or not - and why - you see the ending as anticlimactic. I didn’t simply because I understand the reason why the tiger didn’t turn around for farewells; I didn’t expect him to. That would have been much too magical for this book.
Truth, on the other hand, is something that bugged me for a few days. I didn’t really like the last part, but I see why it was included - same goes with the author’s note. I suppose that in the book it’s generally believed that none of this could ever have happened, that the second story Pi told was more believable. However, if you read the author’s note, it would suggest that perhaps this is based on a true story! But then I realized (it hit me rather abruptly, but I still felt silly for not understanding at first) that the “author’s note” is not Yann Martel’s note. It’s the note of the author who is writing the life story of Pi within the book - the unknown character who visits his house, meets his family, and provides the transcripts for the last part of the book. Even with this knowledge, however, the book is presented as a biography. I’ve read fictional biographies before (and fictional autobiographies), but none that have been set up in this manner. It sets off signals in my mind of an unreliable narrator, yet I only looked at the book with skepticim after I had read the author’s note. (I should note that I read prefaces and author notes after I’ve finished the book. I’m not entirely sure why, but I suppose it has something to do with the fact that I don’t find very much interest in them, and skim them only to fill in gaps and confusion.)
In any case, truth comes into question within the story; it’s never revealed whether the bulk of the novel is the true story of Pi’s shipwreck or whether the last account given in part three is the true story. He, however, has stated numerous times in the book that he cannot get behind the idea of “facts” - I believe he said “dry, yeastless factuality” - finding that stories are more inspiring, much more memorable, and certainly more capable of emotion. Does that make the tiger story untrue? Not necessarily. It’s possible he may have added ideas, thoughts, feelings, and observations to the story thus making it only partially true. No one can tell a straight-forward completely accurate recollection of a memory, and certainly not one that lasted 227 days! However, if the second story is true, the first story makes complete sense. Pi is sixteen when he becomes stranded on the lifeboat. It’s reasonable - maybe even expected - for him to make up a fantastic representation of what happened to him. It is a human way to deal with horrific events. Why do we teach children the value of honesty by using a beaver, or show them how to prevent forest fires with a bear? True, these aren’t experiences as terrible as the ones Pi had to face, assuming the second story is true (cannibalism, among other things), but from a young age we use humanlike animals to help us face the trials of life.
I have to point out as a side note, if it hasn’t already been gathered, that this brings us back to anthromorphology. You can’t talk about very many of the other themes in this book without bringing yourself back to this idea.
My ideas on truth are further emphasized by the author’s note. Within, the author wonders if fiction is “the selective transforming of reality, the twisting of it to bring out its essence.” When someone writes a biography whether truly fiction or truly about an existing person, truth is morphed, twisted, brought out based on themes and ideas that wish to be expressed. I’ve mentioned this, but no one can write down their life story without making up some parts, fictionalizing and mythologizing bits and pieces. It’s simply impossible.
I could go on reiterating my points and boring everyone who has bothered to read this far into the entry, but I think you’ve generally gotten what I’m trying to say. I didn’t touch on religion, faith, or spirituality for a few reasons. First of all, the themes I’ve discussed are those which interested me most; secondly, I’m not sure I could talk about it without bringing in my own bias against religion; and thirdly, you could pick up any review of Life of Pi and see those themes discussed to a bloody pulp. I wanted to bring out something different and talk about storytelling, truth, and cute, cuddly animals that wouldn’t harm a fly.
So did I like it? Yes; I think I’ve mentioned that. Will I read it again? Probably not, because while I might get more out of it on a second read, I’m not sure I liked it enough to take up that time which could be spent enjoying another new author. Do I recommend it? Yes, with caution that the first part might be boring, but it’s necessary.